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      <p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">Junho chegou com exposições, novos projectos e uma pergunta que não consigo parar de fazer: que efeito tem o espaço no sistema nervoso de quem o habita? Este mês partilho as minhas seleções da Lisbon Design Week, um novo projeto no portfólio residencial e um insight que muda a forma como se planeiam os primeiros metros de qualquer loja.</p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">Não fui com expectativas, porque nem todas as experiências anteriores foram excepcionais. Fui com curiosidade, e saí com uma lista de referências, artistas que quero contactar para projetos, e a certeza de que Portugal tem criadores (os naturais e os de visita) com uma linguagem muito própria, que ainda estão por descobrir pelo publico.</p><p style="color:inherit;font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;line-height:1.8;margin-top:0px;margin-bottom:14px;" class="">O que me ficou: o têxtil como linguagem de escala. No Studio Mirante, pela mão da colorida e vibrante <a href="https://www.pangeaaa.com" rel="nofollow" style="color:#605c52 !important;">Pangea</a> encontrei peças com cinco metros de altura que funcionavam quase como instalações - sobre identidade, propósito, espiritualidade - um manifesto. Não eram peças feitas para uma exposição temporária, são obras que eu consegui imaginar dentro de uma casa, a transformar por completo a escala, e a emoção do espaço. Percebi que o têxtil no geral está em voga, e que o quadro tradicional já é apenas uma das formas possíveis de habitar uma parede.</p><p style="color:inherit;font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;line-height:1.8;margin-top:0px;margin-bottom:14px;" class="">Destaco também a <a href="https://madeinsitu.com" rel="nofollow" style="color:#605c52 !important;">Made in Situ</a> - uma afirmação clara de materialidade e de portugalidade. Num mercado cada vez mais saturado de referências internacionais, há algo muito poderoso em escolher o que foi feito aqui, com as mãos de quem explorou e abraçou o território, a história e elabora cada peça com um perfeccionismo e elegância que se sentem profundamente. É uma linguagem que me interessa cada vez mais trazer para os projetos.</p><p style="color:inherit;font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;line-height:1.8;margin-top:0px;margin-bottom:16px;" class="">O artigo completo com todas as seleções e reflexões está no blog.<br><br><a href="https://www.dianapaiva.studio/blog/lisbon-design-week-2026-selecoes" rel="nofollow" style="color:#605c52 !important;">LER O ARTIGO COMPLETO →</a></p>
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